Immersive Tech & the Music Biz; Clio Music Opens for Entries; Flutin Announces Flutin First
Will 2020 Be The Year The Music Industry Fully Adopts Immersive Tech? — www.forbes.com The use of immersive technology in concerts is…
Will 2020 Be The Year The Music Industry Fully Adopts Immersive Tech? — www.forbes.com
The use of immersive technology in concerts is predicted to grow in 2020. Here are just a few companies leading the way in this space.
Clio Music Opens for Entries, Announces Program Changes for 2020 — platformandstream.wordpress.com
Built on Clio’s enduring reputation for recognizing the most creative and culturally relevant marketing and communications, Clio Music celebrates the visceral power of music to connect consumers and brands around the world.
Does the Album Even Matter Anymore? — www.digitalmusicnews.com
Guns n’ Roses is working on new music, but changes to the music industry have cast doubts on the album as a future format for release.
Database Wiped Out: On Myspace’s Great Deletion — www.passionweiss.com
Will Hagle explores what happens when a once-crucial platform for fledgling musicians cleans out the graveyard.
Flutin Announces Flutin First, Its Emerging Artist Incubator — platformandstream.wordpress.com
When you want to empower emerging artists and help them find their fans, it’s not just about building a platform or space. It’s about lifting up and investing in promising talent, one compelling musician at a time.
Neil Young says the MacBook Pro has ‘Fisher-Price’ audio quality — www.theverge.com
Verge editor-in-chief Nilay Patel chats with musician Neil Young and tech executive Phil Baker about their new book To Feel the Music: A Songwriter’s Mission To Save High-Quality Audio.
Share Your Canvas to Your Instagram Story — artists.spotify.com
A new way to use social media to bring your music to life and heighten engagement with fans.
Should musicians buy Apple’s latest laptop? — www.musicradar.com
An excellent laptop and an improvement on the previous model in some key areas, but some elements may still grate on musicians.
AI-music startup Never Before Heard Sounds joins Betaworks camp — musically.com
Never Before Heard Sounds, A New York-based startup whose currently bare-bones website describes it as “an artist-centric AI music production house.
AM Radio! What Is It Good For? — jacobsmedia.com
AM radio’s survival is being challenged by the invasion of new media.
Music Streaming for Broke College Students — digmagonline.com
A brief rundown of the most popular music streaming providers and how to sign up for as little money as possible.
With its new ad-targeting tech, Spotify is sharpening its platform power in podcasting — www.niemanlab.org
By giving advertisers better targeting and better data, the streaming giant is using a weapon unavailable to the open podcast space, which still mostly sees ads as opaque MP3 files.
Simon and Garfunkel Release ‘Live at Carnegie Hall 1969’ EP — ultimateclassicrock.com
Simon & Garfunkel released streaming EP ‘Live at Carnegie Hall 1969’ in January 2020.
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