LANDR wants to give music creators the power to create whenever, wherever and however they want. It’s unveiling the latest leap in that direction with LANDR Studio.
In her new role at WME, Lucy Dickins will oversee all aspects of the agency’s contemporary music and touring business across Beverly Hills, New York, Nashville, London and Sydney.
The current CEO was part of a new team of executives brought in to turn the ailing service around in the summer of 2017.
How Revelator is building the future of music rights and royalty distribution for creators.
Spatial, the award-winning immersive audio company and software service, announced the Spatial Inside program composed of educational resources and Spatial Studio 101.
The Lab houses a variety of prototypes that encourage the WarpSound community to test and play.
Apple has been growing its music business in Africa for some time now, from Apple Music and Shazam to its Platoon artist-development team.
By joining the network, promoters not only have access to new innovative ways to de-risk their business model through carefully calibrated de-fi systems that are designed specifically for the live event ecosystem, but also have access to Web3 technology that can be utilized to drive fan engagement, derive network benefits, and access capital.
At Spotify, we’ve tried to uphold the tradition of running one major holiday marketing campaign at the end of each year. The campaigns typically run on various platforms such as the Spotify Homepage and the Premium page.
NFT music consists of digital files of songs, backed by units of unique code that provide a secure record of ownership on a blockchain infrastructure.
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