The two companies who have arguably done the most to revitalize the fortunes of the modern music industry are at war.
A Warner Music Group executive explains why, and how, record labels are suddenly revisiting their staid back catalogs.
Glastonbury is a big TV moment that can power a returning artist’s campaign to new heights.
The service's CEO, Rishi Malhotra, discusses his company's uniqueness – and the power of parent company Jio.
The audio streaming service has turned rockstar chefs into DJs.
At this point, we all know that streaming royalties have become a larger and larger share of revenue within the music industry, but how those royalties are calculated by DSP’s is still somewhat of a mystery to artists, labels, and consumers.
The Spotify algorithms have shaped a generation of listeners who are defined by attention deficit disorder and a fear of complexity and difficulty.
With many indie songwriters concerned about how the Mechanical Licensing Collective created by the Music Modernization Act will handle the buildup of blackbox royalties from 2014-2019, it was announced that distributions will not occur before 2023.
At Inspirefest 2019, Bell Labs’ Seth Cluett and musician Levy Lorenzo explained the connection between music and technology.
Demand grows for better IoT connectivity. One emerging solution is sending data-over-sound.
The Recording Academy will henceforth accept links to streaming service providers in lieu of physical product in most categories.
Brian Benedik has been instrumental in propping up the company's ad sales.
The UK Intellectual Property Office has said that emerging technologies such as artificial intelligence and blockchain could provide crucial data management solutions for the music industry, but only after several underlying problems are addressed.
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